Wednesday, 17 December 2014

Biometric Portrait...complete





"Biometric Portrait of 'L.A.'" is a small form work representing a different type of "portrait". The elements that make up the painting are a thumb print, signature, and impression of lips from the subject of the portrait. The painting is made to be a part of up-coming project which will include exhibitions through-out 2015 as part of an important collection. Details about this project, exhibitions, and the collection will be posted later.  





"Biometric Portrait of ' L.A.'", oil and lipstick on canvas, 2014

Detail

Detail

Detail

Detail

Tuesday, 16 December 2014

Biometric Portrait

 

                  This is a painting for a special project which I will post more about at a later date. The elements in the painting are an imprint from lips in lipstick, a thumb print in oil paint, and a signature. The materials are oil and lipstick on canvas.




















Friday, 12 December 2014

A completely different type of Portrait...under construction...



This is a new work for a special project. When finished the painting will be a type of biometric portrait. The photos are showing the first layers of the painting. The materials used are Oil and lipstick.



















Sunday, 7 December 2014

self portrait 2014


 self portrait, oil on canvas, 2014





Detail, signature


The individual is shifting sand, constantly reinventing himself based on his subjective views and experiences while constantly being interpreted by other people’s equally subjective perceptions. Reality is subjective, identity is subjective. For artists, the portrait has been the area for the exploration of identity for millennia, sometimes attempting this through an “objective” view of the subject by “literal” means, sometimes by trying to transcend the obvious limitations of what is considered to be objectively real and intuitively reaching out for the subjective in an attempt to find a higher truth. There is a need in people, a need in the artist, to try and make sense of themselves and of other people; a need to understand or grasp the nature of identity through the portrait. In the more egalitarian age of the digital photograph, this need to interpret oneself, to make sense of oneself and construct oneself through the means of portraiture has found its embodiment in the form of the ubiquitous “selfie”. Rather than have its importance diminish through the ages, the portrait and self portrait have become even more essential in a contemporary context as it becomes clear that what has historically been seen as the pursuit of the artist is in fact a deep need found in most people. Identity is actually an unsolved enigma that troubles us, as long as it remains so, portraiture will continue to be relevant.

Tuesday, 26 August 2014

Portraits Under Construction...2014/2015

3 Portraits of 'L.A.", as a triptych... 


3rd portrait of "L.A." just before completion...



3rd portrait of "L.A.", just started...



2nd and 3rd portrait of "L.A."



1st portrait of "L.A"., oil on canvas, 2014


2nd portrait of "L.A"., oil on canvas, 2015








Portrait of L.A.-2, oil on canvas 2014
self portrait



The individual is shifting sand, constantly reinventing himself based on his subjective views and experiences while constantly being interpreted by other people’s equally subjective perceptions. Reality is subjective, identity is subjective. For artists, the portrait has been the area for the exploration of identity for millennia, sometimes attempting this through an “objective” view of the subject by “literal” means, sometimes by trying to transcend the obvious limitations of what is considered to be objectively real and intuitively reaching out for the subjective in an attempt to find a higher truth. There is a need in people, a need in the artist, to try and make sense of themselves and of other people; a need to understand or grasp the nature of identity through the portrait. In the more egalitarian age of the digital photograph, this need to interpret oneself, to make sense of oneself and construct oneself through the means of portraiture has found its embodiment in the form of the ubiquitous “selfie”. Rather than have its importance diminish through the ages, the portrait and self portrait have become even more essential in a contemporary context as it becomes clear that what has historically been seen as the pursuit of the artist is in fact a deep need found in most people. Identity is actually an unsolved enigma that troubles us, as long as it remains so, portraiture will continue to be relevant.

Tuesday, 12 August 2014

From the 12th House


                                                 Re-made video for "The 12th House", 2014



The first video made for "The 12th House",  music and video by Gordon Carter. The 12th House is the last house of the zodiac; the house representing psychological issues, hidden enemies, self un-doing, the place where we stop and consider where we have been and where we want to go next; it is a final moment and the moment before we start again. The video and music both are based on and inspired by the themes that the 12th House represents. The video is one element in a larger personal narrative that the artist is currently constructing through music, video and painting. 

Monday, 24 February 2014

Emotional Landscapes...

"Emotional Landscape 2" oil on Canvas, 2014

"Emotional Landscape 3" oil on Canvas, 2014

"Emotional Landscape 1", oil on canvas, 2013

"Emotional Landscape 4" , Oil on Canvas, 2014

"emotional landscape 5" halfway complete...

"emotional landscape" 4th and 5th paintings underway...



Anytime we focus obsessively inwards on one emotional experience, we begin to enter an alternate reality; the more intense that experience is, and the more intensely we focus on it, the more exaggerated our perception of our real situation may become. A kind of myopic filter descends on our view of life, one element becoming blazingly clear as everything else becomes fuzzy and distorted. Such moments and such experiences can produce a range of sensations which alternately, and sometimes simultaneously, attract and then repulse us. 

Sunday, 16 February 2014

In the Studio...

new painting started

two almost complete



"emotional landscape 2", 99% done

"the Narcissist" 

Thursday, 13 February 2014

Something Interesting underway...

In Bogdan Aleksandrov's Studio with a very special portrait...

Back to Work...

Getting back to work after the cold has passed...5 paintings to complete and new ones to start...







Tuesday, 11 February 2014

A Few Words


A Few Words...

Bogdan Aleksandrov is one of the best known Bulgarian born artists active since 1990. He is a prolific artist known for his large format acrylic works which target the deeper complexities of the social and psychological experiences of modern life. His mode of working is concise, often beginning with the choice of a unifying theme or concept around which an entire painting cycle will occur. It is normal in his working practice that such a theme will consume his work for an entire year or in some cases several, in this way it has become natural to divide his work into periods based on conceptual development. If it is correct to say that Aleksandrov’s work can be divided into periods based on unifying concepts, it is equally correct to speak of the importance of the aesthetic in his work. In his work he demonstrates the belief that the best painting is one which operates on many levels simultaneously, if it begins with an idea that satisfies the intellect, it continues with an aesthetic that pleases the eye. There is a deep relationship between concept and aesthetic in his paintings, it is natural then that as his ideas have evolved in periods so has his aesthetic expression. His earliest works can be described as “Lyrical Expressionism” characterized by the sense of the metaphysical grounded to reality with his very plastic handling of the paint with the use of a broad brush; his most recent works by contrast utilize a technique he refers to as “visual noise” which virtually defies technical explanation, though they may best be described as taking the material physicality of our world and lifting it to some higher level of metaphysical reality. He has won numerous national prizes for contemporary art in his home country, exhibited internationally, participated in international festivals for video art and has had his work enter in many important private and public collections. 



Gordon Carter, February 2014


Friday, 24 January 2014

Music from The 12th House...

This is piece of music I am working on for the video for "The 12th House"

The 12th House

From "The 12th House"...

in the studio...
Progress photos from my work on the paintings for "The 12th House" . The exhibition will consist of several painting cycles, the present one depicted here is of six large paintings of thistles. The thistles are highly meaningful symbols with multiple interpretations, many of which fall in line with the concept for "The 12th House"...

I made the photos of the thistles that I am using as the basis of these paintings in the spring of 2012 while working on the videos for the exhibition "purgatorium". It was not clear that I would use them for paintings until the summer of 2013 when I first devised the concept for "The 12th House". I began the paintings in early December 2013. Each painting takes between two to three weeks to complete. 

first painting, completed

four of the paintings, various stages of completion

second painting on the second day

fourth painting second day

three of the paintings in progress

sixth painting at start of work

sixth painting second day